I'm very pleased to announce the appearance of Drafting Beyond The Ending, a special feature on the work of Rachel Blau DuPlessis, at Jacket 2's site. Curated by myself, it offers thirteen essays, some of them substantial, all of them generous with insight, plus two book reviews and a new poem by DuPlessis.
My deep thanks to Julia Bloch, Mike Hennessey, and everyone else on the Jacket team who worked so hard to produce this.
Table of Contents
Introduction: Drafting Beyond the Ending – Patrick Pritchett
Un-scene, ur-new: the history of the longpoem & The Collage Poems of Drafts – Ron Silliman
Openings: Some Notes on the Political in Drafts – Eric Keenaghan
“The Force of an Intervention”: DuPlessis’ Response to Oppen in “Draft 85: Hard Copy” — Libbie Rifkin
Envoy: Postings on the Digital Form –Paul Jaussen
How to Mourn-Touch: The Redactive Prosodies of Rachel Blau DuPlessis – CJ Martin
Take Your Time: The Ethics of the Event in Drafts – Catherine Taylor
A Little Yod and a Rocking Enormity: Reading Drafts – Daniel Bouchard
Inverting the Middle: Turning Points in Drafts – Thomas Devaney
“The page is slowly turning black”: Torques: Drafts 58-57 — Harriet Tarlo
“All serifs are seraphim”: Midrash as the Angel of History – Patrick Pritchett
At the Critical/Poetic Boundary: Rachel Blau DuPlessis’ Arguments with Adorno – Naomi Shulman
Drafts and The Epic Moment – Bob Perelman
Drafts and Fragments: Rachel Blau DuPlessis’ (Counter-) Poundian Project – Alan Golding
Ghost Tracks: Reading the Signs in Pitch: Drafts 77-95 – Chris Tysh
On Pitch, with Special Reference to “Hard Copy” - CJ Martin
Debris Field – Patrick Pritchett
Draft 109: Wall Newspaper – Rachel Blau DuPlessis
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